In Coralie Fargeat's new feminist horror movie The Substance, damaging social appeal specifications are the actual monsters. They (female objectification, the fingertip of "the aged," the spreading of a field built on body modification) nourish a creature of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://lizosbornfilm.myparisblog.com/30487396/margaret-qualley-the-substance